Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney) dismisses them as childish folderol. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he attempts to rescue Jenny Williams (Fay Helm) from a nocturnal attack by a wolf. Collapsing, Talbot discovers upon reviving that Jenny is dead-and, lying by her side, is not the body of a beast, but of a gypsy named Bela (Bela Lugosi). The son of fortune teller Maleva (Maria Ouspenskaya), Bela was a lycanthrope, or "wolf man." And now that he has been bitten by Bela, Talbot is cursed to suffer the torments of the damned whenever the moon is full. Arguably the best of the "original" Universal horrors (original in the sense that it was not based on an existing literary property, a la Frankenstein, Dracula and The Invisible Man), The Wolf Man boasts one of the most stellar casts ever to grace a "B" picture: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Ralph Bellamy, Warren William, Patric Knowles, Maria Ouspenskaya and Bela Lugosi. The man-to-wolf transformation sequences -- one of which took a full 24 hours to film -- are thoroughly convincing, thanks to the cosmetic genius of Jack P. Pierce (Chaney had wanted to emulate his father by developing his own werewolf makeup, but existing union rules would not permit this).
The Green Hornet Strikes Again! A Universal movie serial based on the The Green Hornet radio series by George W. Trendle. The sequel to the 1940 serial The Green Hornet. A thousand ALL-NEW thrills! In this 15 episode serial, Britt Reid (Warren Hull) is enjoying a vacation in Hawaii. While he is away, he learns that a crime organization has extended its activities into virtually every industry in the city. Disguised as the Green Hornet, Britt makes forays against the underworld establishment. Each attack brings him closer to the identity of the syndicate mastermind, an arch crook named Grogan.
Included are 170 minutes of richly animated Technicolor excitement, plus 2 retrospective features: The Man, the Myth, Superman; and First Flight: The Fleischer Superman Series. These shorts were the first screen appearances of the Man of Steel.
Included are 170 minutes of richly animated Technicolor excitement, plus 2 retrospective features: The Man, the Myth, Superman; and First Flight: The Fleischer Superman Series. These shorts were the first screen appearances of the Man of Steel.
When a boxer (Robert Montgomery) is accidentally called to Heaven 50 years before his time, it's up to celestial executive extraordinaire Mr. Jordan (Claude Rains) to straighten out the matter. When Columbia Pictures' financial advisors read the screenplay for the fantasy comedy Here Comes Mr. Jordan, they had their doubts as to its box-office potential. Screenwriter Sidney Buchman went directly to studio president Harry Cohn in an effort to convince him to make the film. Cohn liked the script's uniqueness and, saying that all his bankers wanted was "what sold last year," told Buchman he'd make the picture. To play the saxophone-playing boxer Joe Pendelton, Cohn decided to borrow Robert Montgomery from MGM. Although Mongomery had some initial doubts about his part, he delivered what was to become an Oscar -nominated performance. The film, which received a total of seven 1941 nominations, including Best Picture, won two (Best Motion Picture Story, Best Screenplay). Here Comes Mr. Jordan was so successful, it inspired a semi-sequel (1947's Down To Earth, which starred Rita Hayworth) and was eventually remade in 1978 as Heaven Can Wait.
The first box-office hit for Ozu in Japan, The Brothers and Sisters of the Toda Family anticipates the later masterpieces such as Tokyo Story and The End of Summer. After the death of the father of an upper-class family, his wife and daughter has to struggle to survive. Tensions arise when they moved in with a married son, so they continue to move around from one household to the next, but they are always unwelcomed. When her youngest son returns from work in Tianjin, he scolds his siblings for their selfishness.
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