A small group of survivors at a military installation who survived World War 3 attempt to drive across the desolate wasteland to where they hope more survivors are living. Hopefully their specially built vehicles will protect them against the freakish weather, mutated plant and animal life, and other dangers along the way.
Released as Mark of the Devil to U.S. theaters (accompanied by complimentary barf-bags for squeamish patrons with urpy tendencies), this gory torture-fest was produced in Germany under the title of Hexen bis aufs Blut Gequ lt (Witches Tortured Till They Bleed). The story is comprised of equal parts Ken Russell's The Devils and Michael Reeves' sardonic Witchfinder General (aka The Conqueror Worm). It involves the demented Count Cumberland (Herbert Lom), an Austrian nobleman who implements the witch-hunting policies of the Inquisition as a means of obtaining land, riches, and nubile young wenches -- particularly the lovely Vanessa (Olivera Vuco), who has been accused of heresy and witchcraft. Cumberland's accomplice in the torture and terror, Baron Christian Von Mem (Udo Kier), realizes too late that his mentor is the true evil stalking the land, not the terrified innocents whose trials are a mockery of justice. Christian is sacrificed to the enraged villagers during the inevitable revolt at the film's climax, while the Count makes a hasty escape -- thus enabling the birth of a sequel, Mark of the Devil Part 2. Both films were repackaged in the mid-70's and released in time to join the ranks of the European demon-possession subgenre (American release ads proudly proclaimed Damn The Exorcist ). The barf-bags were not entirely unjustified for this graphically sadistic exercise which assaulted audiences with explicit scenes of torture, including the removal of one poor victim's tongue.
The cult classic known as ‘the greatest British zombie biker movie ever made’ returns with the ultimate full-throttle restoration: Nicky Henson (Witchfinder General), Beryl Reid (The Beast In The Cellar) and Oscar® winner George Sanders (All About Eve, Village Of The Damned) star in this beloved ‘70s mind-blower about a motorcycle gang who burst from their graves to crush a world of psychedelic hippie pleasures under the wheels of black leather occult mayhem. You’ve got to believe it’s come back: Psychomania – from veteran horror director Don Sharp (Kiss Of The Vampire), the blacklisted Hollywood screenwriters of Horror Express, and featuring some of the wildest cycle stunts of the decade – has now been restored from the only uncut 35mm print in existence and packed with new Bonus Features produced exclusively for this edition.
A poor writer discovers that a species of rats has banded together to impersonate humans and supplant them unnoticed, in a manner reminiscent of the transformations in Eugene Ionesco's Rhinoceros, or the covert conspiracy of pod-people in The Invasion of the Body Snatchers. This film's story is based on a book by the Soviet writer Alexander Greene.
Slave of Pleasure, My Mistress Electra, Prisoner of Pleasure
Street Date 11/07/2013
Publisher: After Hours Cinema |
One of the most notorious of old Times Square’s “mini-cinemas,” the Avon 7, and the films produced under its banner, have become the stuff of legend. Located on 724 7th avenue (hence, the Avon “7”), the venue was known early on for its live sex acts, which were its main draw. To sedate the restless audience during intermissions between live sex, the theatre would screen self-produced adult films. With BDSM becoming prevalent in sex films by the late 70s and early 80s, the Avon 7 would reach the epoch of its career, and during this period would produce some of its most recognizable and infamous titles.
The water is tainted. The Taint poisons the minds of men. It turns them into raging misogynists: monsters who want nothing more than to crush women's heads with rocks (or other objects). When society is transformed into a land of sadistic violence and horrible brutality, it is up to Phil O'Ginny and his hot friend, Misandra, to combat the horrible evil that is The Taint. Can they survive in a world brimming with castration and endless head crusing?!
From horror producer Richard Gordon (Inseminoid, First Man into Space, Fiend Without a Face, Horror Hospital) comes one of the most brutal and mysterious stories ever to be released on BluRay. Tower of Evil is a haunting tale set in & around a deserted lighthouse on fog-shrouded Snape Island. The terror begins when a nude, crazed woman slaughters a sailor who visits the island. When she is taken back to civilization and an ancient relic is discovered, an expedition is mounted to solve the mystery of the island which leads to a series of psycho-sexual murders. Starring Jill Haworth (It!), Bryant Haliday (Devil Doll), Dennis Price (Theather of Blood), George Coulouris (Blood from the Mummy's Tomb) and Candice Glendenning (Satan's Slave) now witness the horror from a brand new HD master!
In his erotic retelling of George Bernard Shaw's classic play Pygmalion, master director Radley Metzger transplants the action to 1970's New York, Rome, and Paris. We follow noted sexologist Dr. Seymour Love (Jamie Gillis) as he sets himself the challenge of transforming lowly streetwalker Misty Beethoven (Constance Money) into the world's greatest lover. With the help of his beautiful friend Geraldine (Jacqueline Beudant), Love devises an erotic training program with the goal of seeing Misty crowned "Goldenrod Girl" at famed publisher Lawrence Layman's next wild party. Along the way, Misty refines her technique by seducing an impotent artist, bringing three uniformed butlers to climax simultaneously, and dallying with a rainbow-ceramic sex toy in one of the most arousing films ever created. Filmed in 3 countries on 2 continents with many of the most famous golden-age actors (including Gloria Leonard, Ras Kean, Casey Donovan and Terri Hall), featuring a witty and intelligent screenplay, and shot by award-winning cinematographer Paul Glickman, Misty Beethoven is the golden standard by which all other adult films have been measured.
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