Doctors at a rejuvenation clinic discover a formula that will prevent aging. However, it involves harvesting the blood and body parts of young men, a process that the doctors aren't particularly averse to.
While working with the UN Forces in the Democratic Republic of the Congo, Marine Sgt. Brandon Beckett (Collins), son of renowned sniper Thomas Beckett, receives orders to rescue a European farmer trapped in the middle of hostile rebel territory. When he and his men arrive at the farm, a mysterious sniper ambushes them, wounding Beckett and killing everyone else. With the help of his father's former protégé, sniper instructor Richard Miller (Zane), Beckett must learn to think like a sniper to track down the assassin before the sniper returns to finish the job. SNIPER: RELOADED was directed by Claudio Faeh (Hollow Man II) from a story by Ross Helford and John Fasano and a screenplay by John Fasano (upcoming Hostel: Part III, Darkness Falls). It was produced by Faeh and David Wicht (upcoming Dark Tide, The Last House on the Left). It has a run time of approximately 91 minutes and has been rated R for bloody violence, language and brief sexuality.
Hatchet director Adam Green teams with that film's star Joel David Moore to craft this simmering psychological thriller about a reclusive telemarketer and artist who finds the many layers of his complex psyche gradually peeled away by a vivacious co-worker. Asthmatic cubicle dweller Mason (Moore) doesn't have many friends, and the closest thing he has to an actual relationship is his awkward interaction with his swaggering boss. All of that begins to change, however, when soul-searching newcomer Amber (Amber Tamblyn) lands a job at the office where Mason works. Amber is friendly but lonely, and on her quest to find herself she begins to open up to Mason, and the two become fast friends. When Amber discovers that Mason is a gifted painter, she agrees to pose for a series of portraits. Recognizing the similarity between the portraits of herself and the portraits of a blonde waitress that Mason recently removed from his studio walls, Amber becomes curious about Mason's past and begins to look deeper into his personality. But Mason has his fair share of dark secrets, and as Amber begins to probe deeper, the familiar cycle of torment and destruction that Mason has kept from her begins spinning once again and soon threatens to consume them both.
Hatchet director Adam Green teams with that film's star Joel David Moore to craft this simmering psychological thriller about a reclusive telemarketer and artist who finds the many layers of his complex psyche gradually peeled away by a vivacious co-worker. Asthmatic cubicle dweller Mason (Moore) doesn't have many friends, and the closest thing he has to an actual relationship is his awkward interaction with his swaggering boss. All of that begins to change, however, when soul-searching newcomer Amber (Amber Tamblyn) lands a job at the office where Mason works. Amber is friendly but lonely, and on her quest to find herself she begins to open up to Mason, and the two become fast friends. When Amber discovers that Mason is a gifted painter, she agrees to pose for a series of portraits. Recognizing the similarity between the portraits of herself and the portraits of a blonde waitress that Mason recently removed from his studio walls, Amber becomes curious about Mason's past and begins to look deeper into his personality. But Mason has his fair share of dark secrets, and as Amber begins to probe deeper, the familiar cycle of torment and destruction that Mason has kept from her begins spinning once again and soon threatens to consume them both.
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