Life would be hard for anyone following the unexpected death of their father. But life is harder for young Adrian, Sheila and Alfredo. Because their family is not normal. Their's is a family of cannibals and their father, you see, was the hunter. So not only do they have to cope with their grief, they also have to deal with the hunger. And one of them must learn to kill if any of them are going to survive. Balancing sincere emotion with horrifying violence, Jorge Michel Grau's WE ARE WHAT WE ARE is one of the most striking debut films of recent times, a powerful and unique drama announcing the arrival of a major new talent
Life would be hard for anyone following the unexpected death of their father. But life is harder for young Adrian, Sheila and Alfredo. Because their family is not normal. Their's is a family of cannibals and their father, you see, was the hunter. So not only do they have to cope with their grief, they also have to deal with the hunger. And one of them must learn to kill if any of them are going to survive. Balancing sincere emotion with horrifying violence, Jorge Michel Grau's WE ARE WHAT WE ARE is one of the most striking debut films of recent times, a powerful and unique drama announcing the arrival of a major new talent
Let Sleeping Corpses Lie, Non Si Deve Profanare Il Sonno Dei Morti, Le Massacre des Morts-Vivants
Zombies Europeen
Sortie le 27/10/2009
Editeur: Blue Underground |
USA
George (Lovelock, AUTOPSY) is a hippie biker on his way to the countryside for a long weekend holiday. While stopping at a gas station, his motorcycle is accidentally hit by an attractive young girl named Edna (Galbo). The bike is rendered useless, so Edna offers him a ride, as long as they drop by her sister Katie's cottage first. The unlikely traveling companions get lost and stop at a farm for directions. There, George is greeted by a pair of employees from the experimental section of the Ministry of Agriculture as they test a new ultrasonic radiation device designed to drive parasites into killing each other. Meanwhile back at the car, Edna is violently pursued by a crazed man who appears to be already dead. After the agriculturists insure her it was merely the village loon, and the journey continues. Moments before they arrive at the cottage the same man who attacked Edna viciously murders Katie's husband. The police are quick to peg the wife as the primary suspect, and order George and Edna to remain in town during the investigation. As they lose faith in the fascist police force, the couple launches a secret investigation of their own. Suspecting the nearby agricultural experiments may be the cause of this morbid chain of events, they attempt to get more information from a local hospital. The result is a plethora of terrifying confrontations with zombies from the basement morgue--brought back from the dead to feast on the living.
When Countess Erzesebet Bathory (Lucia Bose) is accidentally splattered with some blood drops of one of her nubile maidservants, the Countess finds out that the blood can preserve her skin young and beautiful. Compelled to kill innocent young girls to use their blood, the Countess is helped by her husband Karl (Espartaco Santoni), who fakes his own death and pretends to be a vampire to fool the superstitious villagers about the source of his exsanguinations. In the meantime, Karl finds himself attracted to Marina (Ewa Aulin), the young daughter of a local innkeeper, perhaps another victim for the Countess. This film is written and directed by Jorge Grau.
Let Sleeping Corpses Lie, Non Si Deve Profanare Il Sonno Dei Morti
Zombies Europeen
Sortie le 26/02/2008
Editeur: Blue Underground |
USA
George (Lovelock, AUTOPSY) is a hippie biker on his way to the countryside for a long weekend holiday. While stopping at a gas station, his motorcycle is accidentally hit by an attractive young girl named Edna (Galbo). The bike is rendered useless, so Edna offers him a ride, as long as they drop by her sister Katie's cottage first. The unlikely traveling companions get lost and stop at a farm for directions. There, George is greeted by a pair of employees from the experimental section of the Ministry of Agriculture as they test a new ultrasonic radiation device designed to drive parasites into killing each other. Meanwhile back at the car, Edna is violently pursued by a crazed man who appears to be already dead. After the agriculturists insure her it was merely the village loon, and the journey continues. Moments before they arrive at the cottage the same man who attacked Edna viciously murders Katie's husband. The police are quick to peg the wife as the primary suspect, and order George and Edna to remain in town during the investigation. As they lose faith in the fascist police force, the couple launches a secret investigation of their own. Suspecting the nearby agricultural experiments may be the cause of this morbid chain of events, they attempt to get more information from a local hospital. The result is a plethora of terrifying confrontations with zombies from the basement morgue--brought back from the dead to feast on the living.
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