Bayside Shakedown focused largely on the bureaucratic issues of the police department that is also very present in many other sectors of Japanese society. The series depicted police work as office politics under a slightly different environment, complete with bureaucratic red tape, lethargic civil servants, bosses more interested in playing golf and saving face than solving crimes, interference from politicians, and conflict between Police Headquarters and the local officers (one of the major themes throughout the series). In fact, like their real world counterparts in Japan, the officers depicted in Bayside Shakedown are not permitted to carry firearms except during major emergencies
Editeur: Intercontinental Video Limited |
Asie-Hong-Kong
A shocking crime brings together a frightened girl and a battle-hardened cop in this drama from writer and director Ryoichi Kimizuka. When two children are found murdered, an eighteen-year-old high school student becomes the prime suspect, and the case quickly becomes a media sensation. As both the press and an angry public descend on the home of the accused, his family finds themselves at the mercy of strangers unconcerned with their welfare. Takumi Katsuyoshi (Koichi Sato) is a veteran police detective who is assigned to look after Saori (Mirai Shida), the fifteen-year-old sister of the accused; while he initially regards the assignment as frivolous, it isn't long before he sees what kind of toll the attention has taken on the family, and he becomes all the more concerned when he witnesses the reckless behavior of the paparazzi. Katsuyoshi feels Saori is no longer safe in Tokyo, and takes her to a small town in the countryside where they can wait out the uproar, but they soon discover the news has followed them to every corner of Japan...
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