The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
1918 – Lev Kuleshov’s directorial debut. This work is extremely important not only for Russian cinema; it became a landmark in the history of the world’s cinematograph. For the first time a specific method of montage had been used in this film, which came to be known later as “Soviet montage”. Despite the fact that Kuleshov’s films had preceded many discoveries of Vertov and Eisenstein, his works are little known outside Russia. Among his students were Vsevolod Pudovkin and Boris Barnet. In the introduction to Kuleshov’s book The Art of Cinema (1928), his former students wrote: “It was on his shoulders that we crossed into the open sea. We make films – Kuleshov made cinematography…”
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