A photographer for a men's magazine is disturbed by a recurring dream where he is killing his models in various gruesome ways.When he discovers that his city is being terrorized by a slasher who is stalking and murdering women on the streets, he begins to suspect that he himself may actually be the killer! Starring an all star cast that includes Michael Callan (CAT BALLOU, MYSTERIOUS ISLAND), Joanna Pettet (CASINO ROYALE, THE GROUP, THE EVIL), James Stacy (SOMETHING WICKED THIS WAY COMES), Pamela Hensley (TvÕs BUCK ROGERS, MATT HOUSTON), Cleavon Little (BLAZING SADDLES) and Sally Kirkland.
First up, MARK OF CAIN! Identical twins Sean and Michael O'Brian were raised in a strictly religious household. The teenagers rebelled by playing with Black Magic. As a prank, they joked about sacrificing a young girl, but something went murderously wrong when one of the twins forgot it was a game. Next up, THRILLKILL!In a North American city, a very unique video game seems to lead those who play it into a waltz with death. The woman who invented it has been assassinated and her sister, who may be the only one capable of deciphering the game's secret code, is now also in danger.
From the horrifying best seller by master horror writer DEAN R. KOONTZ, comes WHISPERS! Hilary Thomas (Victoria Tennant, L.A. STORY,) is a beautiful young writer who is stalked by a madman. The demented killer, Bruno Clavel (Jean LeClerc, ALL MY CHILDREN), brutally attacks Hilary one night and she thinks she kills him, but he later reappears alive and well. She enlists the aid and protection of a cop (Chris Sarandon, FRIGHT NIGHT, CHILD'S PLAY, THE SENTINEL ) who believes her story, and as his love for her grows, he helps her discover the terrifying dark secret that drives Bruno to kill!
World on a Wire is a gloriously paranoid, boundlessly inventive take on the future from German wunderkind Rainer Werner Fassbinder. With dashes of Stanley Kubrick, Kurt Vonnegut, and Philip K. Dick, as well as a flavor entirely his own, Fassbinder tells the noir-spiked tale of a reluctant action hero, Fred Stiller (Klaus Lowitsch), a cybernetics engineer who uncovers a massive corporate conspiracy. At risk? (Virtual) reality as we know it. Originally made for German television, this recently rediscovered, three-and-a-half-hour labyrinth is a satiric and surreal look at the weird world of tomorrow from one of cinema’s kinkiest geniuses.
World on a Wire is a gloriously paranoid, boundlessly inventive take on the future from German wunderkind Rainer Werner Fassbinder. With dashes of Stanley Kubrick, Kurt Vonnegut, and Philip K. Dick, as well as a flavor entirely his own, Fassbinder tells the noir-spiked tale of a reluctant action hero, Fred Stiller (Klaus Lowitsch), a cybernetics engineer who uncovers a massive corporate conspiracy. At risk? (Virtual) reality as we know it. Originally made for German television, this recently rediscovered, three-and-a-half-hour labyrinth is a satiric and surreal look at the weird world of tomorrow from one of cinema’s kinkiest geniuses.
In Cruzon, children are born with the ability to control quartz. This power allows them to levitate simple objects-or control enormous and complex mobile battle suits called Golems. But when an ancient Golem is discovered during the height of a brutal war, a young king and his beautiful queen turn to Rygart Arrow. Though an "un-sorcerer," Rygart can miraculously pilot this ancient and powerful weapon. But in war, school friends can turn into bitter enemies and allies have suspicious motives. Strap yourself in, power up, and prepare for the heavy metal mecha action of BROKEN BLADE!
In Cruzon, children are born with the ability to control quartz. This power allows them to levitate simple objects-or control enormous and complex mobile battle suits called Golems. But when an ancient Golem is discovered during the height of a brutal war, a young king and his beautiful queen turn to Rygart Arrow. Though an "un-sorcerer," Rygart can miraculously pilot this ancient and powerful weapon. But in war, school friends can turn into bitter enemies and allies have suspicious motives. Strap yourself in, power up, and prepare for the heavy metal mecha action of BROKEN BLADE!
A pretty hospital night nurse (Jane Fonda) says “I do” to the Korean War vet (Jim Hutton) under her care. Within moments she wonders what she’s done. Ralph (Tony Franciosa) wed for money five years ago but has grown to love his bride (Lois Nettleton). Except she just walked out on him. Y’all linger and look on as these pairs go through a Period of Adjustment. This splintered-souls romantic comedy from an unexpected source is very much a movie of firsts: Tennessee Williams’ first comedy, director George Roy Hill’s first feature, Nettleton’s big-screen debut and a personal period of adjustment for Fonda, the filmmaking experience that made her realize she could master the elusive craft of creating a character on film.
Dueling Banjos. Woody Allen. The Muppet Show. Johnny Carson. Jersey Boys. If you don’t know what they have in common, it’s time you made the acquaintance of Marshall Brickman. Fresh from his successful series of screenplay collaborations with Woody Allen (Sleeper, Annie Hall, Manhattan) musician and comedy scribe Brickman moved into the director’s chair with Simon. The tale of a brainwashed psychologist (played by the great Alan Arkin) who gets boondoggled by a group of geniuses in a think tank who would rather amuse themselves than solve global problems. They manage to convince Simon that he is really a space alien, but Simon gets away from them, taking refuge in a commune led by a former television executive (Adolph Green) who worships TV Guide. And soon the Army is after the escaped “alien” with orders to shoot on sight. Featuring Wallace Shawn, Fred Gwynne, and Madeline Kahn.
“I never wanted to do nothin’ as bad as I want to be a lineman!” To farm boy Slim Kincaid (Henry Fonda), daring death in the electric high wires looks like mighty heroic work. So he shakes the sod off his boots and joins a crew, where a tough lineman (Pat O’Brien) befriends the newcomer – including introducing him to his best girl (Margaret Lindsay). There’s trouble ahead, on the job and in the heart, in this brawny, rough-and-tumble drama adapted from a popular book by William Wister Haines (Black Legion, Command Decision). The scenario lets Fonda do what he does best: manifest the strength and dignity of the common man. The denouement is sensational, with the two men climbing towers in a blinding blizzard to repair lines “as hot as an electric chair,” knowing the slightest misstep means disaster.
Jane Fonda wants a man she can look up to: a basketball player. In her debut movie, Fonda plays a college coed with a clear-cut goal: convince all-American hoopster Anthony Perkins that a bachelor’s degree doesn’t mean unmarried! From the moment the future two-time Academy Award® winner* spins her bicycle across campus (and headlong into two professors) to the romantic fadeout, it’s clear she possesses that quality called starpower. Footlight legend and longtime Fonda family friend Joshua Logan directed this frisky farce. The polished supporting cast includes the always engaging Ray Walston, Anne Jackson and Pulitzer prize-winning playwright Marc Connelly (recreating his Tony®-nominated Broadway turn). Fonda has grown into an extraordinarily tall Hollywood legend. And it all started with her in Tall Story. * Best Actress for Klute (1971) and Coming Home (1978).
Before he gained his fame directing cinematic masterpieces like The Manchurian Candidate and Seven Days in May, John Frankenheimer made his feature film debut with this sensitive father-son drama about troubled youth. When clean-cut Hal Ditmar (Hawaii Five-O’s James MacArthur), son of a wealthy movie producer (James Daly), gets into a fight with a movie theater manager (Whit Bissell) no one believes he acted in self-defense. With the police concerned that they have another juvenile delinquent on their hands, Hal’s mother (Kim Hunter) thinks the problem lies in the growing gulf between father and son. Heartfelt and effective, Frankenheimer’s already sure hand at the helm and the talent that star MacArthur shared with his illustrious mother Helen Hayes buoy The Young Stranger above the common ground of 1950’s delinquency dramas.
Opération -10% jusqu'au 17/02/2012. Un gang d’adolescents fait face à une invasion de féroces extraterrestres. Leur affrontement transforme une cité de Londres en une cour de récréation futuriste, un immeuble en une forteresse assiégée et des zonards en héros…
Opération -10% jusqu'au 17/02/2012. Un gang d’adolescents fait face à une invasion de féroces extraterrestres. Leur affrontement transforme une cité de Londres en une cour de récréation futuriste, un immeuble en une forteresse assiégée et des zonards en héros…
Opération -10% jusqu'au 17/02/2012. Charlie Brewster est au top : élève de terminale parmi les plus populaires, il sort en plus avec la plus jolie fille du lycée. Il est tellement cool qu’il méprise même son meilleur pote, Ed. Mais les problèmes vont arriver avec son nouveau voisin, Jerry. Sous les dehors d’un homme charmant, il y a chez lui quelque chose qui cloche. À part Charlie, personne ne s’en rend compte, et surtout pas sa mère. Après l’avoir observé, Charlie en vient à l’inévitable conclusion que son voisin est un vampire qui s’attaque à leur quartier… Bien sûr, personne ne croit le jeune homme, qui se retrouve seul pour découvrir d’urgence un moyen de se débarrasser du monstre…
Opération -10% jusqu'au 17/02/2012. Charlie Brewster est au top : élève de terminale parmi les plus populaires, il sort en plus avec la plus jolie fille du lycée. Il est tellement cool qu’il méprise même son meilleur pote, Ed. Mais les problèmes vont arriver avec son nouveau voisin, Jerry. Sous les dehors d’un homme charmant, il y a chez lui quelque chose qui cloche. À part Charlie, personne ne s’en rend compte, et surtout pas sa mère. Après l’avoir observé, Charlie en vient à l’inévitable conclusion que son voisin est un vampire qui s’attaque à leur quartier… Bien sûr, personne ne croit le jeune homme, qui se retrouve seul pour découvrir d’urgence un moyen de se débarrasser du monstre…
Dans un futur proche, la boxe a évolué pour devenir un sport high-tech. Charlie Kenton, un ancien boxeur, a perdu toute chance de remporter le championnat depuis que les humains ont été remplacés sur le ring par des robots d’acier de 900 kilos et de 2,40 m de haut. A présent, il n’est plus qu’un manager minable qui utilise des robots bas de gamme fabriqués à partir de pièces de récupération. Il gagne juste assez pour survivre d’un combat à l’autre. Lorsque Charlie touche le fond, il accepte à contrecoeur de faire équipe avec son fils Max, qu’il a perdu de vue depuis des années, pour construire et entraîner un champion. Dans l’arène où tous les coups sont permis, les enjeux sont plus élevés qu’ils ne l’ont jamais été. Contre toute attente, Charlie et Max ont une chance, une seule, de faire leur grand retour…
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