A group of college friends on a spring break camping trip are stalked and slashed by an unknown creature with the ability to make them hallucinate through sound waves. The survivors hold up refuge in an isolated farmhouse, cut off from all communication. Now, they have to come up with a plan to kill this unrelenting creature before it kills them. "Banshee!!!" takes the idea of the legendary Irish myth and spins it around into a terrifying and unstoppable monster!
Watching the film, the ocular senses are immediately sucked into a visual vortex of metaphysical bewitchment. A cacophony of dark primal tribal music reverberates in the background while the sisters are entranced within an invocation of trans-dimensional energies through the medium of the Ouija.
John Fowles's novel The Collector was written in the form of a dual diary, one kept by a kidnapper, the other by his victim. The film is told almost exclusively from the point of view of the former, a nerdish British bank clerk named Freddy Clegg (Terence Stamp). A neurotic recluse whose only pleasure is butterfly collecting, Clegg wins $200,000 in the British Football Pool. He purchases a huge country estate, fixes up its cellar with all the comforts of home, then kidnaps Miranda (Samantha Eggar), an art student whom he has worshipped from afar. The demented Clegg doesn't want ransom, nor does he want to rape the girl: he simply wants to "collect" her. She isn't keen on this, and tries several times to escape. After several weeks, Clegg and Miranda grow increasingly fond of one another, and Clegg promises to let her go. When time comes for the actual release, however, Clegg decides that Miranda hasn't completely come around to his way of thinking and changes his mind, leading to a further series of unfortunate events.
Trois jeunes gens tentent de conjurer la malédiction attachée à la mort d'un prêtre, qui, selon une prophétie, précède l'ouverture des portes de l'Enfer.
John Hatcher, un super-flic incorruptible, prend quelques jours de vacances après une affaire particulièrement difficile. Il se heurte bientôt aux dealers locaux, qui jurent de lui faire la peau et s'attaquent à sa famille.
Tyler never has trouble finding tenants for his cozy little 3-unit apartment building... he just has trouble keeping them alive to pay rent! You see, Tyler's building is haunted by a pair of 5,000-year-old demons with an insatiable appetite for flesh. And no matter how nicely Tyler asks, he cannot keep them from devouring the tenants. The demons never listen to Tyler, and why should they? After all, they have an all-you-can-eat human buffet and Tyler as their pet monkey. But things could change when Tyler take a liking to the newest tenant, a desperate young woman running from demons of her own.
Une nouvelle espèce de piranhas créée par l'armée, capable de vivre en eau douce et en eau salée, est accidentellement relâchée dans un fleuve durant l'été. Le carnage commence...
A spaceship from Earth is equipped with a virtual-reality device to help those aboard cope with their 10-year mission. But when the system malfunctions, it puts the Phaeton's crew -- and the fate of their planet -- in jeopardy.
Ne paniquez pas ! L'incident survenu à la centrale nucléaire près du lycée de Tromaville n'est absolument pas dangereux pour les habitants ! Et si les étudiants les plus sages commençaient à perdre toute morale et discipline ? Et si certains se transformaient en une horde de cannibales assoiffés de sang ?...
A bratty but brilliant preteen girl discovers that she's the clone of a long-dead scientist in this story of self-discovery and adventure, which appeared on HBO in the early '80s. Anna Hart (Martha Byrne) gets top grades at her elite private school, but she lies, steals, and bad-mouths her parents, much to the consternation of her father, Graham (Jack Ryland). Anna's mother, Sarah (Dina Merrill), is more indulgent of her daughter, for she knows that the girl is one of a series of clones created to uncover the scientific secrets of Anna Zimmerman, who was close to conquering world hunger when she died in an accident years ago. Although Anna is unaware of her origins, she is plagued by dreams of the years the original Anna spent in a concentration camp, and she suffers from severe headaches whenever she sees flashing lights. Memories of a haunting melody called "Reverie" also plague the girl's imagination. Although Anna's brother, Rowann (Mark Patton), seems smitten by the family's new neighbor, Michaela Dupont (Donna Mitchell), the woman creeps Anna out with her quiet intensity. Nevertheless, Graham forces his daughter to accept piano lessons from Michaela in hopes of unlocking Anna's artistic side and her less offensive personality traits. Soon, though, Anna accidentally sees one of her sister clones on a TV newscast, leading to revelations that threaten to destroy her family and possibly the youngster's very life. Anna to the Infinite Power is based on the novel by Mildred Aimes.
Famous writer Sonia Petrova is killed after a night spent in a seedy motel with her lover. Her husband Peter is immediately taken in by the police and questioned. Ivan Zanova, the detective investigating Sonia's murder, is aware of the fact that both Peter and his wife had adulterous affairs. When a homeless guy confesses the murder, Zanova believes that this bad case is finally closed. But a few days later, Peter's mistress suffers Sonia's same fate by the hand of a mysterious killer, and Ivan understands that there is more than meets the eye in these two killings.
Director and writer Marissa Silver debuted with this captivating film on the friendship of two young girls from opposite sides of the economic tracks but same side of town. Twelve-year-old Lonnie Sloan (Sarah Boyd) is a well-to-do New York rich kid and Karen Bruckner (Rainbow Harvest) is the more ordinary, impoverished New York kid. They happen to meet one day on the street in their neighborhood and hit it off just because each is fascinated with unknown quantities. As they learn that they were taught to perceive and react to the world differently, their relationship becomes one of unfolding adventure -- even for the grown-up viewers.
In a dingy motel room in the middle of nowhere, a bank robber holds a young, attractive woman hostage.Keeping her handcuffed to the bed until he is able to formulate a plan, things go from bad to worse when an escaped convict takes them both prisoner and sets in motion a dangerous and very bloody cat-and-mouse game of one-upmanship. Who wins in the end isn’t always about who has control of the gun - but it certainly helps.
A heinous murder shakes Rome and its self-complacent upper class at its core. The beautiful daughter of a well known surgeon has been brutally slaughtered. No stone is left unturned to hunt down the killer, but the police investigations are focused mainly on the shady underbelly of the Roman jet set. Soon the truth rears its ugly head: the girl was the innocent victim of an atrocious white slave trade headed by a ruthless Dutchman. Yet he is only a puppet in the hands of a higher ranking puppeteer whose strings are attached to a lot of unpredictable characters.
Produced by Bert I. Gordon, The Beginning of the End a menacing onslaught of giant-sized grasshoppers. Department of Agriculture functionary Peter Graves and photojournalist Peggie Castle discover that the huge grasshoppers are the product of a gone-awry experiment in radioactivity. Before the Army can neutralize the green monstrosities, Chicago has been besieged by the ravenous insects. Beginning of the End was one of two horror films produced by American Broadcasting-Paramount Theatres; the other was The Unearthly (1957).
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