They were created deep within the secret island laboratories of an unscrupulous biotech corporation and grown to horrific proportions...until they both escaped. Bullets won't stop them. Explosives only make them meaner. And their ravenous reptile appetites for scientists, tourists, S.W.A.T. teams and swimsuit models have only just begun. Now an undercover investigator, a sexy Fish & Game officer, and a cold-blooded swamp hunter known only as 'The Cajun' are all in pursuit of the scaly beasts that can outrun SUVs, crush buses, and snack on sleazy producers in hot tubs. But when these monster lizards ultimately meet in battle, will mankind be the defeated species? David Carradine (Kill Bill, Death Race 2000) -- in one of his final performances -- stars in this epic Syfy smash about the bone-crunching, body-chomping, earth-trembling smackdown of Dinocroc vs. Supergator!
They were created deep within the secret island laboratories of an unscrupulous biotech corporation and grown to horrific proportions...until they both escaped. Bullets won't stop them. Explosives only make them meaner. And their ravenous reptile appetites for scientists, tourists, S.W.A.T. teams and swimsuit models have only just begun. Now an undercover investigator, a sexy Fish & Game officer, and a cold-blooded swamp hunter known only as 'The Cajun' are all in pursuit of the scaly beasts that can outrun SUVs, crush buses, and snack on sleazy producers in hot tubs. But when these monster lizards ultimately meet in battle, will mankind be the defeated species? David Carradine (Kill Bill, Death Race 2000) -- in one of his final performances -- stars in this epic Syfy smash about the bone-crunching, body-chomping, earth-trembling smackdown of Dinocroc vs. Supergator!
From 1975 to 2002, "Midnight Blue" was late-night cable's most depraved cavalcade of politics, pornography and perversion hosted by controversial Screw Magazine publisher Al Goldstein. In this premiere volume - featuring segments now shown uncensored for the first time ever - meet the real legends behind Deep Throat in graphic and shocking interviews that go far beyond any other adult documentary:
Carol Connors: Uninhibited bisexual co-star, extreme animal lover, and mother of award-winning actress Thora Birch. Harry Reems: The prolific porn stud whose criminal indictment on obscenity charges galvanized Hollywood. Gerard Damiano: Hairdresser turned visionary porn director, he was forced to sell all rights to his movie - which grossed $600 million - to his notorious 'business partners'. Chuck Traynor: Linda Lovelace's bluntly outspoken husband, manager and alleged abuser. And much more, including the show's original commercials for swinger clubs, adult toys and escort services that dropped jaws - and pants - all over New York City and lit the fuse on the battles against the FCC that still rage today!
A young director (Tony Hudson) is a struggling filmmaker making hardcore features for the mob. His latest feature, he hopes, will be his big break into the world of "mainstream" filmmaking, but will the mafia allow him to realize his dream?
Sharon, played by Swedish sex star Aunt Peg, is the dreamer. Her dream begins with a cock-tale party where she entertains more than a dozen of her friends in a sensual way. Her husband is a young and handsome stud named Andrew, who has a perpetual hard-on for her. You'll LOVE to see what happens when Sharon wakes up!
From pioneer eroticist Gerard Damiano comes a startling, shocking, no-holds-barred look at the steamy, seamy side of the sexual revolution. Voluptuous bosom-buddies Annie Sprinkle and Veronica Vera hostess you through a panoramic Who's Who of kinky diversity: - Luxuriate in the Nude Ms. America Pageant! - Watch Marc Stevens watch his lovely wife with big Ron Hudd - Tremble with Robin Sane as she prepares to be adorned by Jim Ward, The Master Body Piercer. Whip yourself into a frenzy with Jill Monroe, The Mistress in Action! - Devour Ron Jeremy's demonstration of gourmet sex with his own horn-of-plenty. - Scratch, kick and bite with Bunny & Buddy Hatton and the lovely Super Fluff, all catfighters extraordinaire!!! - Finally, join in when Joey Karson & Champagne invite, and get, spontaneous audience participation in a wide open & wild orgy!
A beautiful mental patient is having surrealistic sex dreams. With the help of a new invention, her doctors are able to view them, and watch as her darkly erotic psyche unfolds. From sex with an anonymous stranger, to a steamy girl/girl scenario, to the use of gadgets and props that could only be the stuff of fantasy, her dreams take the doctors on a sex filled odyssey of the carnal mind. This film shows amazing imagination.
When a solar eclipse sends a colossal blast of super chilled air towards the earth, it then sets off a catastrophic chain of events that threatens to engulf the world in ice and begin a new Ice Age.
A grandly entertaining, old-fashioned adventure based on the Rudyard Kipling short story, The Man Who Would Be King is the kind of rousing epic about which people said, even in 1975, "Wow! They don't make 'em like that anymore!" When director John Huston (The Maltese Falcon, The Treasure of the Sierra Madre, The African Queen) first started trying to make the film, with Gable and Bogart, the project was derailed by the latter's death. It was a few decades before Huston was able to finally realize his dream movie--and with an unimprovable cast. Sean Connery and Michael Caine are, respectively, Daniel Dravot and Peachy Carnahan, a pair of lovably roguish British soldiers who set out to make their fortunes by conning the priests of remote Kafiristan into making them kings. It's a rollicking tale, an epic satire of imperialism, and the good-natured repartee shared by Caine and Connery is pure gold. In today's screen adventures, humor is usually imposed on the material by a writer or director trying to make some kind of cleverly self-aware comment ("Hey, we know it's a movie!"), but that sort of jokiness can create so much ironic distance that it pushes the audience right out of the picture. Huston lets the humor emerge naturally from the characters, for whom we wind up caring more deeply than we ever expected.
Back from the Iraq, Captain Lance Deakin is haunted by flash-backs of a hyper violent video game he played while on tour. Exhibiting strange powers, he is pulled deeper into the vortex of this memory, slowly realizing that the military turned him into a brainwashed super-soldier. While he tries to piece together what happened to him, he is being hunted down by armed forces, whose mission is to destroy him and any top secret information he may be harboring. Lance is now in a race to elude his assassins and recover the truth.
The legendary Peter O’Toole – in his iconic Oscar® nominated performance – stars as director Eli Cross, a deliciously megalomaniacal madman commanding a film-set circus where a paranoid young veteran (Steve Railsback) finds himself maybe replacing a dead stunt man, possibly falling for the beautiful leading lady (Barbara Hershey), and discovering that love, death and the mayhem of moviemaking can definitely be the wildest illusions of all.
The legendary Peter O’Toole – in his iconic Oscar® nominated performance – stars as director Eli Cross, a deliciously megalomaniacal madman commanding a film-set circus where a paranoid young veteran (Steve Railsback) finds himself maybe replacing a dead stunt man, possibly falling for the beautiful leading lady (Barbara Hershey), and discovering that love, death and the mayhem of moviemaking can definitely be the wildest illusions of all.
Fifteen-year-old Zigzag (Sam Jones III) is the autistic son of crack-addict Fletcher (Wesley Snipes). Though his father offers little guidance, the boy gets guidance from his "Big Brother," Dean (John Leguizamo). In an attempt to help his help his father financially, Zigzag gets a job, but attempts to take a short cut by stealing money from the company safe. Realizing that his actions could have grave consequences for him, Zigzag then tries to get the money back in the safe before anyone finds out that it's missing. This touching, hard-hitting, independent drama is the directorial debut for David S. Goyer, the screenwriter for such genre hits as BLADE, BLADE II, and DARK CITY.
When a tsunami floods Malibu, it brings with it a hunting pack of deep-water prehistoric goblin sharks that go after the lifeguards in their half-submerged station on stilts and a team of construction workers stranded in a flooded house/
This dark tale of supernatural possession from director Manuel Carballo combines classic horror with riveting family drama. Fifteen-year-old Emma (Sophie Vavasseur, Resident Evil: Apocalypse) is going through the growing pains of teen life, believing her parents don't understand her and longing for the independence that's still a few years away. When Emma falls prey to a series of seizures that leave doctors and psychologists baffled, her parents summon a priest (Doug Bradley) to help the girl. But what lurks inside Emma is far more dangerous than they could have ever imagined. EXORCISMUS mounts to a pitch of horror from which you won't be able to turn away.
Writer, director, and star Mario Van Peebles tried to correct historical misconceptions about African-Americans on the frontier with this action-packed western that's also an homage to spaghetti Westerns. During the Spanish-American War, a squadron of black soldiers led by Jesse Lee (Van Peebles) is assigned a dangerous mission behind enemy lines in Cuba by evil Colonel Graham (Billy Zane). Joined by a white gambler, Little J (Stephen Baldwin), the troupe is to recover a chest of gold. Realizing that Graham will slaughter them once they've relinquished the booty, Lee and his men retrieve the chest, wound Graham, and head for home. Ambushed by Graham in New Orleans, the "posse" heads for Lee's hometown of Freemanville, a frontier settlement of ex-slaves. Years ago, Lee's minister father (Robert Hooks) was murdered there by Klansmen, and the gunslinger wants revenge. There's new trouble brewing in Freemanville, however. Sheriff Bates (Richard Jordan), top lawman in neighboring Cutterville, plans to wipe out Freemanville's citizens and sell their lucrative property to a railroad. Then there's Graham, still on Lee's trail.
In Robert Aldrich's action-packed Western, Benjamin Trane (Gary Cooper) and Joe Erin (Burt Lancaster) are American soldiers of fortune hired by the Austrian ruler of Mexico, Maximilian, to safeguard a royal convoy transporting gold and an Austrian countess to the port of Vera Cruz. Things get complicated for the mercenaries when they begin to mistrust one another--and when Erin starts to fall for the countess. Aldrich throws a bit of European exotica into the standard oater formula of guns, grit, and gold to create a striking, memorable film that showcases the acting talents of Cooper and Lancaster, two monumental Hollywood stars. The director also sprinkles some trenchant historical commentary into his powder-keg narrative by showing the Hapsburg empire's bumbling attempt to annex Mexico.
As The Outlaw Josey Wales, four-time Academy Award winner* Clint Eastwood is ideally cast as a hard-hitting, fast-drawing loner, recalling his "Man with No Name" from his European Westerns. But unlike that other mythic outlaw, Josey Wales has a name - and a heart. After avenging his family's brutal murder, Wales is on the lam, pursued by a pack of killers. He travels alone, but a ragtag group of outcasts (including Sondra Locke and Chief Dan George) is drawn to him - and Wales can't leave his motley surrogate family unprotected. Eastwood's skills behind and in front of the camera connected with audiences for its humor and tenderness as well as its hair-trigger action.
This violent Western follows four sets of brothers--the Youngers, the Jameses, the Millers, and the Fords--who band together for a crime spree across Missouri. Law enforcers, meanwhile, prove inept in their attempts to apprehend the renegade cowboys, who are busy arguing among themselves. Director Walter Hill's film features four groups of real-life brothers--the Keaches, the Carradines, the Quaids, and the Guests.
Jackie Chan is the undisputed Kung Fu Master who dishes out the action in traditional Jackie Chan style. When a young boy sets out to learn how to fight from the Master himself, he not only witnesses some spectacular fights, but learns some important life lessons along the way.
It was a groundbreaking device designed to glimpse alternate universes and government commissioned by a brilliant physicist. But the machine malfunctioned on its first presentation, transporting a group of observers into a nightmarish new dimension. The team quickly must use ingenuity and courage to outwit, outplay and outlast the native man-eating creatures of this bizarre new world while doing their best to repair the damaged machine. Even if they stay alive, without a working transport, they may never make it back home.
Half-vampire, half-human, Rayne hides in the shadows slaughtering vampires and those that get in her way. In 1943 Europe, during World War II, Rayne faces her greatest foe, a growing army of undead Nazi soldiers led by Ekart Brand, a top Nazi official turned day-walker. Rayne must team up with a group of resistance fighters to defeat Brand and his vampire army before they reach Berlin to grant Hitler immortality.
Half-vampire, half-human, Rayne hides in the shadows slaughtering vampires and those that get in her way. In 1943 Europe, during World War II, Rayne faces her greatest foe, a growing army of undead Nazi soldiers led by Ekart Brand, a top Nazi official turned day-walker. Rayne must team up with a group of resistance fighters to defeat Brand and his vampire army before they reach Berlin to grant Hitler immortality.
Le visuels des jaquettes de DVD ne sont pas contractuels. Les informations concernant les sous-titres et les pistes audio sont également à prendre avec des pincettes. Consultez les sites de référence que nous vous proposons pour ne pas faire d'erreur.
Sin'Art sur Facebook
![Jaquette The Man Who Would Be King [Blu-ray Book]](http://www.sinart.asso.fr/cover-the-man-who-would-be-king-blu-ray-book-25565.jpg)
Critique
